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J'aime Montparnasse 2000

  • Writer: Adam Weitz
    Adam Weitz
  • Apr 23
  • 2 min read

Updated: Apr 28




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In the lush, analog haze of late 1960s Paris — while the Left Bank rumbled with revolution and experimentalism — a quieter, stranger rebellion was unfolding behind studio doors. Montparnasse 2000 wasn’t a band, or even a label in the traditional sense. It was a shadowy library music collective, tucked into the weirder corners of the French avant-garde, quietly composing the soundtrack to a world that didn’t exist yet.


Long before it became sample fodder for Jay-Z, Kendrick Lamar, and J Dilla, the Montparnasse 2000 library was shaping the sonic fabric of 1970s Paris. A project with little commercial ambition, it trafficked in pure, genreless excess: wah-scorched funk, tape-warped psychedelia, modular synth freakouts, lush vocal harmonies, brass blasts, and epic breakbeats that all redrew the lines of what library music could be.


Founded in 1969 by a loose network of session musicians, producers, and composers drifting through the fertile French library scene — veterans of TeleMusic, Crea Sound, Sonimage, Patchwork, and CAM — Montparnasse 2000 specialized in what can only be described as fantasy music for the TV age: lounge-flecked jazz-funk, surreal synth odysseys, cosmic pop, and mutant strains of easy listening.


Composers like Janko Nilovic, Jean-Jacques Perrey, Camille Sauvage (aka Eric Framond), Jacky Giordano, and Guy Pedersen built entire soundworlds beneath the radar — crafting music meant to underscore French television, not fuel contemporary hip-hop. But decades later, the grooves hit differently. What once was background is now inspiration.


Because Montparnasse 2000 was never meant for mass consumption, original vinyl pressings remain deeply rare — coveted by crate diggers and hip-hop producers alike. Each record is a time capsule: snapshots of a future imagined in real-time, quietly shelved until now.


Today, Montparnasse 2000 feels less like an artifact and more like a prophecy. In an era where library music and high art are often intertwined, their uncanny, genre-agnostic experiments sound less like kitsch — and more like blueprints we’re finally catching up to.


APM Music is the exclusive source for sync and sample licensing of Montparnasse 2000 in the U.S. and Canada.







 
 
 

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